Friday, May 15, 2009

Your Network

Something you upcoming radicals might be into: yourNetwork.tv

LAPIS by James Whitney



ABOUT

Gene Youngblood’s 1970 book Expanded Cinema

MEDITATION ON VIOLENCE by Maya Deren

THE CHORA: A Screening Series

PART II

Monday, May 18th


FEAR OF BLUSHING
Jennifer Reeves, 2001, 6 min, video

BRUTALITAT IN STEIN (BRUTALITY IN STONE)
Alexander Kluge, 1960, 10 min, video

BEHIND THIS SOFT ECLIPSE
Eve Heller, 2004, 10 min, 16mm

RUBY SKIN
Eve Heller, 2005, 5 min, 16 mm

I LOVE AMERICA
Mingzhao Dong, 2009, 3 min, video

THE OTHER SIDE
Bill Brown, 2006, 40 min, 16mm

THIRD EYE BUTTERFLY
Storm de Hirsch, 1968, 10 min, 16mm double projection

MY TEARS ARE DRY
Laida Lertxundi, 2009, 4 min, 16mm

———

Total running time: 88 minutes
SOUND PERFORMANCE: Corey Fogel

--Programmed by Laida Lertxundi

Part II: Monday, May 18, 2009

Screening starts at 8:00 pm

Visual Arts Facility Performance Space

Julia Kristeva describes the SEMIOTIC CHORA as "a space of mobility; an enveloping, amorphous, non-metric space that both nourishes and threatens..."
— Kristeva, Desire in Language, 1998

It is a language with no objects signified: the space of perpetual renewal in the signifying process; a mobile receptacle of mixing, of contradiction and movement. It is language in the body; it is rhythm, sound. This series of three screenings will explore this sound (poetic language/madness/bliss) this pre/linguistic babble, while exposing the arbitrariness of boundaries in favor of an expanded field.

The screenings will be comprised of film and video works by Chantal Akerman, Dan Graham, Ximena Cuevas, Ana Mendieta, John Whitney, Ben Russell, Jennifer Reeves and many, many more. Sound by Ezra Buchla, and Corey Fogel.

For a complete listing of "The Chora" screenings, please click here or "read more" below.

The screening series is offered in conjunction with Strategies of Alterity course currently taught by Laida Lertxundi.


Thursday, April 16, 2009

What? Story time?

LET ME HELP YOU... I highly recommend making time to send me a script before class on Tuesday even if it is very rough I can give you feedback soon and you can use it for your storyboards. Anything is better than nothing, so get to writing and send me something ASAP!

best, micki